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ChapterBrief · Reviews
Disaster-Class Hero review: 7.5/10. The hero no god chose, betrayed and sealed 20 years, returns to hunt all twelve saints. REDICE art, ongoing on WEBTOON.

Reviewing
Sanjijiksong (web novel), art by REDICE Studio (Beom-Geun Lee) · KakaoPage / Tappytoon
Score
A confident, well-drawn revenge fantasy whose best idea is making its hero an outsider the divine system rejected. Spectacle-forward rather than suspense-forward, but it knows exactly what it is.
Disaster-Class Hero review in one line: the best idea in this series is buried in a single detail of its setup, the fact that no god ever chose Lee Geon, and the whole revenge plot is better once you understand why that detail is the point.
Rating: 7.5/10
TL;DR: The Return of the Disaster-Class Hero is an ongoing REDICE Studio revenge fantasy on WEBTOON and Tappytoon, web novel by Sanjijiksong. Lee Geon, the one hero no zodiac god ever chose, became the strongest anyway, so the twelve chosen saints betrayed him and sealed him in the Tower of Demons for twenty years. He breaks out and hunts them down. The art is franchise-grade and the betrayal premise has real weight, but Geon is already maxed out, so the tension is revenge and mystery, not power growth. 7.5/10.
The calamities were monsters that came to wipe out humanity. To fight them, twelve zodiac gods each chose a saint, twelve warriors granted divine power to stand against the end of the world. Lee Geon was not one of them. No god picked him. He fought anyway, and he became stronger than all twelve of the chosen combined.
That made him a hero. It also made him a problem. The twelve saints betrayed him, overwhelmed him together, and sealed him inside the Tower of Demons. He spent twenty years in there. The series opens when he finishes brawling his way out, walks back into a world that has moved on without him, and starts working through a list. The list has twelve names.
This is a revenge manhwa with system-fantasy bones, REDICE Studio art, and an OP protagonist who is already at full power on page one. If you have read the studio's other work, the visual language will be immediately familiar. What you should pay attention to is the setup, because the one detail everyone glosses over is the detail that makes the series work.
Most OP-protagonist revenge stories run on a simple engine: hero is wronged, hero is strong, hero gets even. Disaster-Class Hero has that engine, but it bolts on a better idea underneath, and the idea is in who chose Geon. Nobody did.
Every other powerful figure in this world was selected. The twelve saints are powerful because a god reached down and granted it. Their strength is legitimate by the rules of the setting, sanctioned from above. Geon's strength is not. He clawed it out himself, without permission, without a patron, and he ended up stronger than the entire sanctioned system. That is precisely why they had to get rid of him. He was living proof that the divine selection did not matter, that the gods' chosen could be exceeded by a man they passed over.
Read that way, the revenge stops being simple payback and becomes a conflict about legitimacy. Geon is not just hunting twelve traitors. He is dismantling the idea that power handed down by gods is worth more than power earned. The competitor write-ups describe this as "betrayed hero returns for revenge," which is accurate and misses the whole point. The point is that he was betrayed for being self-made in a world that only respects the anointed.
That theme gives the series a spine that a lot of revenge fantasies lack, and it is the reason I rate it above the genre median even though, mechanically, it does several familiar things.
REDICE Studio handles the art, and it is the easiest thing to praise. The calamity designs are genuinely menacing, the saint duels have weight and choreography, and the big set-piece moments land with the spectacle the franchise lineage promises. Beom-Geun Lee's linework keeps the action readable even when the power levels get absurd, which matters in a series where the protagonist can level a city block.
The plotting is solid through the revenge structure. Each saint is a separate target with a separate arc: what they became in the twenty years Geon was sealed, how their corner of the world works, why they personally turned on him. The strongest stretches are the ones where a saint is more than a punching bag, where their betrayal had a reason that complicates the simple revenge framing.
The weaknesses are the ones an already-OP premise always carries. Geon is the strongest being in almost every room he walks into, so individual fights rarely generate real doubt about the outcome. The series knows this and tries to shift the tension onto the mystery and the moral unraveling, which works more often than not, but there are stretches where you are watching an inevitable victory play out. And the twelve-target structure is uneven. Some saints get rich, layered arcs. Others get a chapter and a fight. The back half of the list is where this thins out.
REDICE Studio's art gives the calamity fights weight. Beom-Geun Lee keeps the action readable even at city-leveling power scales.
The honest comparison is to the OP-returner wave that followed Solo Leveling's success. Disaster-Class Hero sits comfortably in the upper-middle of that field. It is better written than the pure wish-fulfillment entries because the betrayal premise has an actual idea in it, and it is better drawn than most because REDICE is doing the art. It is not reaching for the genre's top shelf on character or theme, and it does not pretend to.
If you are assembling a list from the best action manhwa of 2026, this earns a place on it as a strong revenge-fantasy pick. If your interest is specifically the OP-protagonist-with-foreknowledge-or-history lane, it pairs well with the returner and regressor titles in manhwa like Solo Leveling, where Geon's already-maxed power makes him an interesting contrast to the climbers. And readers who came up through the system-fantasy cluster will find its mechanics legible from the best system fantasy manhwa onward.
The benchmark for the OP-returner wave. Disaster-Class Hero shares the studio and the power-fantasy lane, but starts its hero already at the top instead of climbing there.
7.5/10. This is a well-made revenge fantasy that is smarter than its logline suggests. The art is strong, the action delivers, and the "hero no god chose" premise gives the revenge a thematic charge that lifts it above the flood of similar series. The cost is the one every already-OP story pays: the fights are spectacle rather than suspense, because you rarely doubt that Geon wins.
The unevenness across the twelve targets is the other honest mark against it. When the series is on a well-developed saint, it is genuinely good. When it is clearing a weaker name off the list, it is just competent. The ratio stays favorable enough to recommend, but it is a real fluctuation.
For fans of OP-protagonist action who want a revenge structure instead of a climb, and who appreciate a premise with an idea under the spectacle, this is an easy recommend. Start at episode 1, pay attention to the "no god chose him" detail, and the whole series reads sharper for it.
Rating: 7.5 / 10
Is Return of the Disaster-Class Hero worth reading?
Yes for OP-action revenge fans, 7.5/10. Strong REDICE art and a betrayal premise with genuine thematic weight, though the fights are spectacle more than suspense.
How many chapters does it have?
170+ chapters, ongoing on WEBTOON and Tappytoon as of mid-2026.
What is it about?
Lee Geon, the one hero no god chose, became the strongest, was betrayed by the twelve chosen saints, sealed for twenty years, and returns for revenge.
Is it like Solo Leveling?
Same OP-protagonist family and REDICE art, but Geon starts already at full power; the tension is revenge and mystery, not a climb.
Where can I read it?
WEBTOON and Tappytoon (English), KakaoPage (Korean). No anime as of mid-2026.
About the author

Senior Manhwa Critic & Analyst
Manhwa critic and former Korean-to-English webtoon translator with 8 years reading across 40+ genres. London-based. Tracks everything from power-progression to slice-of-life romance.
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