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ChapterBrief · Manhwa
Manhwa like Sweet Home sorted by what made it work: psychological horror, ensemble survival, monsters-as-metaphor, and completed stories with real endings.

"Manhwa like Sweet Home" is four different searches depending on which part of it got to you.
If the monsters-as-metaphor angle is what stuck (the idea that people transform into literal embodiments of their worst desires) that points to one set of titles. If the ensemble survival setup drew you in, the sense of strangers becoming reluctant community inside an apartment building, that points to another. If you want the psychological thriller dread without the monster transformation mechanic, that's a third cluster. And if you want something finished, with an ending that actually resolves, that narrows the field considerably.
Sweet Home ran 141 chapters on WEBTOON, written by Kim Carnby and drawn by Hwang Young-chan. It completed. The transformation mechanic (humans who lose their will to live begin to transform into monsters shaped by their desires) is unusually coherent for horror. A man who desired strength becomes something armored and enormous. A child who wanted attention becomes something that screams for it. The monsters aren't random. That specificity is what separates Sweet Home from survival horror that uses monsters as obstacles.
This list of manhwa like Sweet Home is sorted by which quality of the original it delivers most directly. No single series replicates everything. But each one covers a meaningful part of it.
TL;DR: Manhwa like Sweet Home sorted by what made it work: psychological horror, ensemble survival, monsters-as-metaphor, and completed stories with real endings.
Sweet Home is a Korean horror manhwa written by Kim Carnby and illustrated by Hwang Young-chan. It ran on WEBTOON from 2017 to 2020, completing at 141 chapters. The series is set in the Green Home apartment complex, where the reclusive protagonist Cha Hyun-soo moves after his family dies in an accident. Within days of his arrival, residents begin transforming into monsters shaped by their deepest desires: a man who craved strength becomes something enormous and armored, a child who needed attention becomes something that screams for it. Hyun-soo himself is infected but fights the transformation, developing abilities tied to his monster side while retaining his human consciousness.
What sets Sweet Home apart from survival horror is the coherence of its monster design. The transformations are legible metaphors, not random threats, and the series uses that legibility to examine what human desire looks like when it's literalized and freed from social constraint. The ensemble cast of apartment residents carries as much weight as the horror: their relationships, traumas, and decisions under siege are the actual subject. The series was adapted by Netflix in three seasons, with Season 1 tracking the manhwa closely and Seasons 2 and 3 diverging significantly. If you want the complete and intended story, the 141-chapter WEBTOON run is the definitive version. Kim Carnby followed Sweet Home with Shotgun Boy, a rural survival horror series using similar thematic concerns in a different setting.
| Series | Closest Sweet Home quality | Platform | Status | Chapters |
|---|---|---|---|---|
| Bastard | Psychological horror, same writer | WEBTOON | Complete | 92 |
| Shotgun Boy | Survival horror, Kim Carnby | WEBTOON | Complete | 69 |
| Cursed Man | Monster transformation mechanic | WEBTOON | Complete | 104 |
| Distant Sky | Ensemble survival in a confined space | Fan TL | Complete | 128 |
| The Boxer | Existential weight, ensemble cast | WEBTOON | Complete | 113 |
| All of Us Are Dead (manhwa) | Survival horror, consciousness in monsters | Naver | Complete | 130 |
| Eleceed | Ensemble dynamic, lighter tone | WEBTOON | Ongoing | 400+ |
| Vigil | Horror thriller, isolated location | WEBTOON | Complete | 76 |
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Bastard.
Bastard is also by Kim Carnby, which immediately makes it relevant. But it earns its place on structure alone, not just authorship.
The premise: Jin Seon is a high school student whose father is a serial killer. He knows. He has always known. The story runs on the question of whether Jin Seon is complicit, whether survival makes you the monster, and whether the person who hurts people to protect someone he loves is meaningfully different from the person who just hurts people. That question is structurally identical to what Sweet Home asks about its monsters.
At 92 chapters, Bastard is compact. The horror is psychological and spatial: Carnby makes apartments and elevators feel dangerous in the same way Sweet Home makes the Green Home building feel inescapable. The art is by Youngchan Hwang, the same artist as Sweet Home, so visually the two series feel like cousins. Chapter 40 is where the story stops being a thriller and becomes something more uncomfortable. The ending lands.
Note: Bastard predates Sweet Home and was Carnby's first major WEBTOON series. The thematic concerns that Sweet Home developed at scale are present here in a more claustrophobic form.
It's free on WEBTOON. Read this first if you want the psychological horror without the monster transformation.

Sweet Home.
Shotgun Boy (also released as Pigpen in some translations) is Kim Carnby's other series. The setup is blunt: a bullied student named Gyuhwan is at a rural school when monsters appear, and he survives by picking up a shotgun. That's the whole premise, and Carnby commits to it fully.
Where Sweet Home has a large ensemble and a relatively contained location, Shotgun Boy is more isolated. Gyuhwan spends significant stretches alone or with one other person. The horror comes from resource management and the specific ugliness of high school social hierarchies colliding with survival situations. By chapter 30, the series has made its thesis clear: the cruelty Gyuhwan survived before the monsters is not categorically different from the cruelty the monsters represent.
The transformation mechanic from Sweet Home isn't present, but the thematic concern is. People become worse versions of themselves under pressure. Some of those worse versions are monstrous without any supernatural involvement. At 69 chapters and complete, it's a fast read. The rural setting gives it a different texture than Sweet Home's urban apartment claustrophobia; open space doesn't feel safer, just differently dangerous.
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If the specific mechanic of Sweet Home is what got you (the idea that transformation is tied to psychological state, that the monster still contains the person), Cursed Man is the most direct structural match.
The protagonist is cursed in a way that manifests physically when his emotions destabilize. The body horror is intentional and specific rather than decorative. What makes Cursed Man work is the same thing that makes Sweet Home's transformation sequences compelling: the change is legible. You can trace what the monster is expressing. By chapter 50, the series has committed to exploring what it means to contain something destructive and still try to function as a person.
The art is rougher than Sweet Home's production values, which were exceptional for a WEBTOON series. But the story earns its grimness. Completed at 104 chapters. Available in English translation.
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Distant Sky (or Empty Sky in some translations) shifts the survival horror context from monster infestation to something harder to name: the world has partially depopulated, and a small group of survivors tries to navigate an emptied city that may not be empty at all.
The ensemble dynamic is closer to Sweet Home's than most horror series on this list. Distant Sky specifically invests in the group psychology: who leads, who cracks, who sacrifices someone to survive and what that does to them afterward. The horror elements are less body-horror focused than Sweet Home, more atmospheric. Chapters 60-90 are the series at its best: the pacing tightens and the character work pays off.
At 128 chapters and complete, it delivers a full arc. The English official release was partial; the fan translation covers the complete run. If you specifically missed the "survivors learning who they are under pressure" aspect of Sweet Home, this is the closest structural equivalent.
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The Boxer isn't horror by genre classification. It's a sports manhwa about a boxer named Yu who may be the most naturally gifted fighter alive, and who feels nothing about it. No joy. No pride. No fear.
That absence of affect is where it connects to Sweet Home. Cha Hyun-soo enters the series as someone who has lost the will to engage with being alive. The transformation mechanic in Sweet Home starts with that loss of will: desire becomes monstrous when it's the only thing keeping someone from changing. Yu in The Boxer is the inverse: he has no desires left to become monstrous, but that void is its own kind of horror. The series builds an ensemble of fighters around him and asks, through each of them, what living for something looks like when someone in the room lives for nothing.
At 113 chapters and complete on WEBTOON, The Boxer is one of the few completed manhwa that ends on its own terms rather than running until the audience leaves. The final arc earns the first chapter's setup. This is the recommendation for readers who valued Sweet Home's thematic depth over its genre mechanics.
All of Us Are Dead became a Netflix series before most international readers found the manhwa, but the source material is worth reading separately. The zombie variant here (the Hambie) retains partial consciousness. Some infected people fight the transformation. Some infected people choose what to become. The manhwa asks the same underlying question Sweet Home does: when does a person stop being a person?
The setting is a high school during an outbreak, which gives it a confined-space ensemble quality similar to Sweet Home's apartment building. The student cast is large and not all of them survive, which is handled without the sentimentality that kills most YA-adjacent horror. By chapter 80, the series has committed to moral complexity in a way most zombie stories don't: characters make decisions that are defensible and still lead to harm.
Completed at 130 chapters on Naver. The English official release exists but runs behind; the complete fan translation is available.
Vigil is a shorter entry (76 chapters) set aboard an isolated location where the cast can't leave and something is wrong with several of them. The exact mechanism is deliberately withheld early. What the series does well, and what connects it to Sweet Home, is using the confined space to force characters into revealing who they actually are. The social dynamics of people who can't escape each other is the horror as much as whatever is happening to them biologically.
It's the most compact recommendation on this list. If you want something you can read in a single sitting and still get a complete story, Vigil works. The horror is more restrained than Sweet Home, less body-horror focused, but the psychological element is consistent throughout.
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Start with Bastard regardless of what drew you to Sweet Home. It's completed, it's from the same creative team, and it establishes Carnby's thematic concerns in a way that makes Sweet Home's transformation mechanic feel less arbitrary when you return to it.
After that:
Sweet Home's 141-chapter run is denser than most manhwa at that length. Chapters 1-40 establish the building and the ensemble; chapters 41-100 are the sustained crisis; chapters 101-141 are the resolution, which is more complicated than the Netflix seasons suggest. The Netflix divergence from the manhwa starts becoming significant around what would be episode 6 of Season 1; the core survival arc tracks, but character fates and the ending differ.
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None of the recommendations here replicate Sweet Home exactly. The specific combination of Kim Carnby's psychological concern for what desire does to people, Hwang Young-chan's body-horror art at WEBTOON production values, and the apartment-building ensemble across 141 chapters is a one-time thing. What these series share is the underlying seriousness: that the horror exists to say something, not just to disturb.
Is the Sweet Home manhwa finished?
Yes. Sweet Home completed its run on WEBTOON at 141 chapters. The story has a definitive ending. The Netflix adaptation is a different matter: Season 1 follows the manhwa reasonably closely, then Seasons 2 and 3 diverge significantly with original characters and altered fates. If you want the complete story, read the manhwa.
How does Sweet Home the manhwa compare to the Netflix show?
Season 1 covers roughly chapters 1-60 and tracks the source material closely. Seasons 2 and 3 are essentially Netflix-original content. Cha Hyun-soo's arc in the show diverges from the manhwa's resolution, and several characters who die in the manhwa survive in the show (and vice versa). The manhwa's ending is more contained and thematically coherent.
What is Shotgun Boy and how is it connected to Sweet Home?
Shotgun Boy is a survival horror manhwa by Kim Carnby, the same writer who wrote Sweet Home. It follows a bullied student named Gyuhwan who survives a monster attack at a rural school using only a shotgun. The tone is grittier and more isolated than Sweet Home, with less ensemble focus, but the same writer's fingerprints are visible in how human psychology drives the horror.
Is Sweet Home too dark for casual readers?
It's graphic. The monster designs are body-horror heavy from around chapter 10 onward, and several major characters die with little warning. If you can tolerate survival horror in that range, the darkness is purposeful: each monster reflects a human desire, which gives the horror meaning. Readers who want horror with thematic weight will find it rewarding. Readers who want horror purely for scares will also find plenty.
What's the best manhwa like Sweet Home for someone who got into it through the Netflix show?
Start with Bastard by the same writer (Kim Carnby). It's a psychological thriller without monsters, but the same sense of dread and the same technique of making ordinary spaces feel dangerous. After that, Distant Sky gives you the ensemble survival setup in a completely different context (evacuation, not infestation). Both are completed, so you won't be left on a cliffhanger.
Are there any manhwa like Sweet Home where the monsters have human consciousness?
Cursed Man (Gwi-goo) is the closest structural match: the transformation mechanic carries the same implication that the monster still contains the person who transformed. All of Us Are Dead, the manhwa that became a Netflix series, has a similar philosophical question embedded in its zombie variant: some of the infected retain partial consciousness and have to decide what they still are.
What manhwa like Sweet Home is fully available on WEBTOON in English?
Sweet Home itself is on WEBTOON free. Shotgun Boy is on WEBTOON. Bastard is on WEBTOON (completed). Cursed Man is available in English. Distant Sky has a completed fan translation though the official English release was partial. The Boxer is on WEBTOON, completed.
For a detailed rating and verdict: Sweet Home Manhwa Review: Why the Webtoon Beats Netflix.
About the author

Senior Manhwa Critic & Analyst
Manhwa critic and former Korean-to-English webtoon translator with 8 years reading across 40+ genres. London-based. Tracks everything from power-progression to slice-of-life romance.
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